Humanity and animality are enigmatically confronted and entwined. Combining rich high-contrast 16mm images with crisp digital color scenes, BLUA composes an uncanny entry into the relationship between human and animal existence. Unfolding like a tapestry, its montage complicates the relationship between observation and fiction. The frontiers between animal and human, fiction and non fiction are transgressed. Reaching for equal beauty and strangeness, BLUA is an assertion of the uncanny, a cine-poetic philosophical speculation.