At nineteen, Barbara Kruger (b. 1945) worked as a commercial artist designing for Conde Nast. The risky combination of contemporary art, commercial appeal and social critique runs throughout Kruger’s photography, readings, poetry, collages, and conversation. Her works uses advertising both as a foil and a format. Language and image work together, referencing the manipulations of the advertising media. Kruger is internationally recognized for her signature black, white, and red photomurals, which have been displayed internationally on billboards and posters as well as in galleries and museums. She has edited books on cultural theory and has published articles in The New York Times, Artforum, and other periodicals.