This film applies the six principles for composition delineated in Opinions on Painting by the Monk of the Green Pumpkin, written by the eighteenth-century Chinese painter Shih-T’ao as referenced in Raúl Ruíz’s essay ‘For a Shamanic Cinema’ (for example, ‘draw attention to a scene emerging from a static background’ or ‘add scattered dynamism to immobility’). The film is composed of scenes with non-actors, and texts by R.D.Laing and Lucy Lippard.