In her first feature film, Chloe Okuno takes Alfred Hitchcok’s Rear Window and moves it to Bucharest, where a young New Yorker and her husband, Francis, go to live. For him it’s a homecoming, for her it’s a new world. Not knowing the language or even how to ocupy her days, Julia begins to feel the weight of her isolation, but also something else: the constant and oppressive gaze of a neighbour. But no one seems to give credit to her fears.