It seemed like a great idea at the time. Rhea wanted to make a documentary about a group of young people in a suburb of Oslo who use the medium of film to explore and tell their own stories. They film the everyday life they know, with football matches and cars on fire. But when Rhea, a cultural outsider and a documentary filmmaker who works for Norwegian TV, tries to tell their story, the young people resist. Rhea must learn to let go of her control over her own film. But what happens when you have to bring everyone into the editing room in the name of co-creation?