"The Sight is a Wound" by Parham Ghalamdar is a haunting meditation on the collapse of imagery in the face of modern atrocities. The film begins with a simple question: What can the artist offer when the images of our time overwhelm the capacity of frames to contain them? In the wake of the ongoing genocide in Gaza—live-streamed by its perpetrators and rendered unbearable in its clarity—Ghalamdar burns over 50 of his own paintings, works exhibited in solo and group shows across renowned institutions worldwide.