The title – The Other Way Around – is an understatement. In Anna Vasof’s cinematographic world, what sounds like a harmless reversal of signs turns into a reversal of sociopolitical conditions as we know them. Subversion disguises itself with ease and wit. Nothing here is harmless. Five words are enough to describe Vasof’s cinematic revision: “Acts against the proper way”. It’s a call for revolution, calmly pronounced. Ideally, “proper” gently hints at the upheavals and arguments that Vasof is building a stage for as her artistic interventions turn modern ways of thinking inside out. The illusion machine of cinema turns out to be the “partner in crime” par excellence for this visionary undertaking.