Halfway between industrial poem and video-dance, Rainbow’s Gravity imagines a staging that conjugates the verb to reveal in all of its meanings to explain the Agfacolor-Neu, a colour photographic film produced in Nazi Germany. The film seeks the reverse shot of what has been filmed and unravels the propaganda and psychological implications of that material. The film is portrayed with the same palate of colours and is screened in the same abandoned former line of production. It puts film in the cube. It is a film to show what that film showed us.