Onder het witte masker: de film die Haesaerts had kunnen maken is a film that uses fragments from Under the Black Mask, an 1958 film about Congolese art directed by the Belgian artist Paul Haesaerts and qualified as colonial propaganda. This new piece imagines what the masks would have said. Aimé Césaire’s “Discourse on Colonialism” is spoken in Lingala for the first time. His words still form a confrontational mirror for Europe. In an attempt at reparation, the film limits itself to images, texts, and music already available to Haesaerts.