One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry.