Land Mine, a feature length experimental documentary, forms a fragmented assembly of the portraits of the men gone, of the women who mourn them, and of the one tenant, a musician, who still lives in the building. The stories intersect at numerous points, together offering a complex image of the culture the house fostered, as well as that culture’s entropy in a land devastated by its own acts of military aggression and repression. The film offers insight into the psychological and political utility that the concept of defense serves, and into the loss of innocence and the warped moral orientation of the State of Israel.