Impressions of Vienna: a young man with blond hair and painted fingernails that stroke plants. A cinematic portrait that is also a little big-city symphony, about how the view through the camera changes the world: gently, not brutally. A film about cinema. Because photochemistry does something to the world. Plants and people are becoming more similar, the city is becoming warmer, more communicative, perhaps even sunnier. And a woman in a blue dress turns out to be a Viennese Margot Robbie revenant, posing as Barbie. (Lukas Foerster)