An experimental collision of found‑footage and digital spectacle, this 18‑minute work by Michael Woods repurposes the imagery of YouTube, celebrity culture, fetishised media and the ghostly figure of Maria Montez to explore “digital sickness”, visual overload, and the commodification of image. It blurs colour/b&w film with video, layering glitch, hand‑processing, and remix‑culture to create a frenetic critique of virtual excess and voyeurism.