Artist Brice Bischoff documents the long cinematic history of the Bronson Caves into a single, durational image. This “Plato’s Cave in the Hollywood Hills” is a site of illusions, crafted for a form of capitalism unique to Los Angles: television shows and movies. Here, Bischoff uses the poorest of elements: pieces of colored paper, the body, a metal rod — to reimagine the auric residue of over a century of moving images. Recent advancements in digital filmmaking make it possible to capture the hypnotic, psycho-geographic nature of his process.