Because of the pandemic, a shrine maiden for a god of the sea begins working at an archeology museum. This work depicts a protagonist who, embracing the question “is scientific understanding not simply collective subjectivity?”, chooses to live with both a modern and traditional “identity” at the same time. It also adopts a documentary/fiction structure in which truth and fiction exist simultaneously. The latest film from WANG Mowen, who was awarded the Grand Prize at the 2021 IFF for Trinity.