2016 Festival Internacional de Cine Cámara Lúcida

A man carries his entire life's work inside an old leather suitcase bought in India on a train from Moreno to General Rodríguez, through the Buenos Aires suburbs. These are the originals of his films, all in Super-8, a dying format that doesn't allow copies. This suitcase is like the manuscript of his autobiography. It's about Claudio Caldini, caretaker of a suburban villa, a secret filmmaker.

The accident leads a group of young boys from the high roofs of their neighborhood, passing through its destruction, to the deepest of the earth.

Searching for a seed, a young man emerges from the underground where he hangs out with his friends. They all embark on a long digestive trip.

Sometimes we find ourselves walking, talking or simply looking at things. That is what the protagonists of this film do. However, inside this mystery of life, we don't know who they are or what they do. Teddy Williams builds yet again a dense and fantasmatic universe where breezes rhyme with vacancies and to the verb to be has its full double meaning.

We follow a group of youngsters in Hanoi experiencing the city's freedom, sensuality and boundaries. From the supermarket to the outdoor bar, on the back of a moped, over bridges, past orchards, to the roof of a housing complex under construction. Hao and his friends climb, jump and tempt the gravity of their daily lives.

Marce is nervous, waiting. Elian runs and knocks him down. They drink and talk like on any normal day. But through their silences, they explore their friendship.

In a self-sacrificial rite, unite in a single moment the past, the present and the future.

A fakir struggles with the devil to bring his deceased lover back to life.

An elderly woman encounters a group of clowns who wander through the lands of laughter and tears. She marries them and gives birth to a child—an event whose surreal logic is both surprising and poetic. With strong theatrical elements and a dreamlike tone, the film meditates on identity, transformation, and the absurd.

One Sunday, several elderly people visit a park in Moscow. Music begins to play, and they start to dance. Soon, they are enveloped by a profound summer dream—so deep and surreal that they ultimately vanish into it.

A mother and her son arrive in New York from a country that has been bombed by the United States.

A castaway wanders the streets of New York until he meets a beautiful redhead in a bar. Together, they develop an unusual erotic ritual that ultimately defines his destiny.

In this documentary about the exile of two famous French actors in Argentina during and after World War II, the director Cozarinsky returns to Argentina after many years in France and recalls places and events from his childhood, particularly the celebration of the liberation of Paris on in August of 1944, in Buenos Aires's Plaza Francia. Featuring testimony from various authors and acquaintances of Maria (Renee) Falconetti and Robert Le Vigan, the film explores their lives and final years in Argentina.

Jean Cocteau reminisces about the people he has known throughout his long life.

Edgardo Cozarinsky journeys in the footsteps of his father's family, to retrace the existence of a Jewish community founded in the late 19th century in the Entre Ríos.

Follows a man as he silently goes through the desperation of a break-up. He aimlessly wanders the streets, meeting the night people of Buenos Aires; loners, thieves, fugitives, homeless, suicides, lovers and the ghost of the lost lover.