Playlist

Festival de Filmes Científicos

The Festival de Filmes Científicos (Scientific Film Festival) is a type of film festival dedicated to showcasing films that explore scientific themes, discoveries, and concepts. These festivals aim to bridge the gap between science and society by using cinema as a platform to communicate scientific ideas, often through documentaries, experimental films, and sometimes fictional works. Here’s a collection of films featured in past editions of the FeFici festivals.
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Invasão Espacial (Space Invasion)

FILM Brazil 2019 · 15 min
Thiago Foresti

<p>They came from outside, entered the city and seduced the people. They tried to please everyone, but no one understood their plans. Communication was through nods and gestures. Little by little, centuries-old communities were removed from their territory to make way for space plans. It is difficult to know what is fiction and reality in this location hidden in the interior of Brazil. Space Invasion is a drama of absurd, but very real, magical realism.</p>

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Ditadura Roxa (Purple Dictatorship)

FILM Brazil 2020 · 23 min
Matheus Moura

<p>Yeda, a green woman, sells homemade bread and cookies to support the house where she lives with her sick husband. Through the context of green people, we learn about the reality of those who live on the margins of a purple society, which naturally segregates people with green faces.</p>

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Algoritmo (Algorithm)

FILM Brazil 2020 · 20 min
Thiago Foresti

<p>The totalitarian government of a dystopian future controls the flow of information, and people begin to mysteriously disappear. The Algorithm is able to investigate the digital lives of citizens, steal their data and set alerts for potentially subversive individuals. Nicole, an 18-year-old veterinary student, begins to have her life investigated by this Algorithm.</p>

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Abaddon

FILM Argentina 2018 · 16 min
Jessica Aran

<p>Facundo Aguilar, pilot of the space shuttle Condor, wakes up in an escape ship lost in space. The entire crew has been infected by an alien organism that they accidentally encountered on Keppler 22B, which destroyed the entire mission. Aguilar and Captain Breccia were the only ones to escape alive. However, on the return trip to Earth, Aguilar discovers that Breccia is also infected and must kill him. Tragically, Aguilar is lost in space. With no fuel to reach Earth and the small ship&#39;s power running out minute by minute, he prays that Breccia&#39;s corpse will not return to him. Between guilt and madness, Aguilar has multiple visions of the organism, which is believed to be hidden in his ship, and sinister conversations with the body of his captain.</p>

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Influência do álcool nas atividades psicomotoras envolvidas no ato de dirigir veículos (Influence of alcohol on psychomotor activities involved in driving)

FILM - 1978 · 9 min
Arlindo Machado

<p>Film made by researchers from the Department of Psychobiology of EPM/Unifesp, coordinated by Prof. Sergio Tufik, which evaluates the influence of alcohol on activities related to driving.</p>

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Ypupiara: O Passado Presente (Ypupiara: The Present Past)

FILM Brazil 2020 · 7 min
Artur DIas

<p>In August 2021, a &ldquo;new&rdquo; Brazilian dinosaur was officially described: the Ypupiara lopai. Contrary to the common sense about dinosaurs as monstrous giant lizards, Arthur Brum&#39;s research shows what this animal was really like and what its main natural relationships were. From this perspective, Ypupiara: The Present Past tells the story of the discovery of the species and how its history reflects the fragility of paleontology and the scientific process in Brazil.</p>

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Plague Inc e o Cinema Científico: Uma análise das imagens dos games (Plague Inc and Scientific Cinema: An analysis of game images)

FILM Brazil 2020 · 4 min
Letícia Wexell

<p>Video games owe a lot to cinema, and cinema owes a lot to science. Scientific films and their lenses were the necessary basis for cinema to happen, when microscope and telescope lenses were more famous than camera lenses. From one end of history to the other, we compare whether the images created by a game resemble the images viewable through the lenses of science.</p>

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Háptico (Haptic)

FILM Brazil 2020 · 4 min
Lígia Vieira Mariana Vieira

<p>&ldquo;Touch&rdquo;. Masculine noun. Action or effect of touching, touching, contact, touching. Touch. The sensory experience between technological and emotional advances of the human being based on the sense of touch.</p>

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Sinestesia- uma diferente percepção (Synesthesia- a different perception)

FILM - 2021 · 5 min
Julia Reis Paola Ferreti

<p>Synesthesia is a neurological condition that allows a different vision of the world for those who have it, generating colors for sounds, smells for words and several other sensory mixtures. Would this condition be beneficial, and if so, in what way? This and many other questions about the disorder will be answered.</p>

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Film ist. (1-12)

FILM Austria 2004 · 77 min
Gustav Deutsch

<p><strong>Film is.</strong>&nbsp;consists almost exclusively, of sequences from existing scientific films. These films are about the acrobatic flights of pigeons, the intelligence testing of apes; about reversed worlds and stereoscopic vision; hurricanes and impact waves in the air. How glass breaks, children walk and how a Mercedes crashes into a stone wall in slow motion. The contempt with which scientific films are received is not directed against the content, but rather against their conventional, unimaginative, ridiculous and commentary-contaminated appearance. Similarly, the fascination with some of the teaching films<br /> can be attributed almost exclusively to the power of their images - images which one has never seen, even in the cinema.</p> <p><strong>Film is.</strong>&nbsp;brings an abundance of these images together. One can feel not only the politics, but also the singular poetry of scientific film, which often makes use of experimental techniques - extreme slow motion, extreme time lapse, telescopic or microscopic camera work, solarising, x-ray film.</p> <p><strong>Film is.</strong>&nbsp;is a poetic film in itself. Just how the various pieces find their own place and rhythm reminds one of modern poetry or the photo work of the American artist John Baldessari. Pictures which, from their origins, have nothing to do with each other, which don&acute;t belong together, are compared, tied together, fused with each other.&nbsp;</p> <p><em>(Alexander Horwath)</em></p> <p>Film is audio- and scopophilia. This too is made clear in&nbsp;<strong>Gustav Deutsch&rsquo;s Film ist. (7&ndash;12)</strong>. Anybody who comprehends the film as a mere compilation does an injustice to its synesthetic force. In fact it exemplifies what film scholar Annette Michelson once described as the &ldquo;intoxicating pleasures of the editing table&rdquo;; of the simultaneously analytic and alchemical cinematic practice of toying with time and space, to jettison the laws of physics, bring objects to life, freeze movement or accelerate to excess.<br /> <br /> <em>(Michael Omasta)</em></p> <p>&nbsp;</p>

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Uma Viagem No Tempo-O CCBB São Paulo (A Trip Through Time – CBB São Paulo)

FILM Brazil 2023 · 40 min
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<p>The radio &quot;The Time Machine,&quot; which transports people between the past, present, and future, presents a special program featuring a flower seller, an engineer-architect, a photographer, and a group of musicians, all from the 1930s and transported directly to the 2020s. Lost within a building they know as the Banco do Brasil agency in S&atilde;o Paulo, they interact with the audience while presenting the history of the city&#39;s growth and transformation into a major metropolis. They explore the establishment of the Banco do Brasil agency in its first building in the city, as well as the architectural details of the building, ultimately discovering that, in the future, the building serves a new function: safeguarding culture and art as the Centro Cultural Banco do Brasil.</p>

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Os Encantados Do Sossego De (The Enchanted Ones) of Tranquility)

FILM Brazil 2023 · 50 min
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<p>The Enchanted of Peace&rdquo; revives the ancestral tradition of families gathering to listen to fantastic stories. The plot explores Amazonian legends and myths as it follows the story of Joana, a woman who lives in the &ldquo;House of Peace&rdquo; on the Island of Maraj&oacute;, at the mouth of the Amazon River. She delves into her oldest memories to unravel the mysteries surrounding her family and encounters extraordinary events &ndash; sometimes tragic, sometimes fantastic &ndash; that have loomed over the family since they decided to settle in the Marajoara lands. The performance invites audiences to discover a magical place and celebrate Brazilian culture. It is a story of love, brotherhood, and respect for nature, ancestors, and the beliefs of a mystical territory.</p>

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Terapia Avatar

FILM Brazil 2021 · 4 min
Beatriz Costa Victor Tavares

<p>Schizophrenia affects approximately 1% of the global population, and the usual treatment relies on the use of antipsychotic medications, which often cause harmful side effects for patients. Avatar therapy aims to treat schizophrenic patients with auditory hallucinations by associating the voices they hear with faces created through computer graphics.</p>

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Realidade Alternativa

FILM Brazil 2021 · 7 min
Renata Rocha

<p>A short film about parallel realities, multiverses, equations, probabilities&mdash;the universe is truly curious and infinite, so it&#39;s interesting to delve a bit into the idea of a possible alternative reality.</p>

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2ⁿ – a story about the exponential growth of numbers raised to powers

FILM United States 1961 · 2 min
Charles Eames Ray Eames

<p>In 1961, the interactive exhibit Mathematica: A World of Numbers&hellip; and Beyond opened the new science wing of the California Museum of Science and Industry in Los Angeles. Sponsored by IBM, it was a groundbreaking exhibit designed by husband and wife team Charles and Ray Eames that included five short animations that explored a handful of mathematical concepts.</p>

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Zoom cosmique (Cosmic zoom)

FILM Canada 1968 · 8 min
Eva Szasz

<p>This short animation transports us from the farthest conceivable point of the universe to the tiniest particle of existence, an atom of a living human cell. The art of animation and animation camera achieve this exhilarating journey with a freshness and clarity. Without words.</p>

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Solar do-nothing-machine

FILM United States 1990
Charles Eames Ray Eames

<p>In 1957, the Eameses designed the SOLAR MACHINE TO DO NOTHING. True to their belief that toys are not as innocent as they seem, the machine was one of the first uses of solar energy to produce electricity. In the 1990s, Eames Demetrios discovered unedited footage of the marvelous machine and edited it to share a little taste of it for future generations to enjoy.</p>

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A. S. Me Erra

FILM Spain 2021 · 4 min
Macarena Perez

<p>The work consists of a simulation of an ASMR video for a YouTube channel, where at the same time that different sound triggers are demonstrated, the scientific basis behind the information that is presented is also explained.</p>

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A quebra da quarta parede no universo dos jogos digitais} (Breaking the fourth wall in the world of digital games)

FILM Brazil 2021 · 10 min
Amanda Mendes

<p>Unlike literature, cinema and television, the world of digital games allows the spectator to become a player, opening doors to new narrative possibilities, one of which is breaking the fourth wall. This scientific film explains what this concept means, its implications and its importance for the gaming industry.</p>

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O Samba Malandro e o Estado Novo

FILM Brazil 2021 · 12 min
Igor Mendonça

<p>The video explores the issue of samba identity and its discourse on the image of the malandro, focusing on the 1930s and 1940s, when Get&uacute;lio Vargas&#39; government entered its second phase, the Estado Novo (1937-45). It presents the way in which the discourses of vagrancy were articulated in the lyrics, their role and historical-social construction, and the ways in which the &ldquo;labor&rdquo; aspect of the Vargas government repressed samba malandro through organizations such as the DIP (Department of Press and Publicity), diminishing the demonstrations that took place there and, in some cases, transforming the very philosophy of the samba singer into a &ldquo;regenerated malandro&rdquo;.</p>

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Queimadas no Pantanal: onça ameaçada (Fires in the Pantanal: threatened jaguar )

FILM Brazil 2020 · 3 min
Victor Márcio

<p>In 2020, the Pantanal suffered one of the most devastating fires, destroying the natural biome and killing several species of animals. Based on this, this film seeks to show how fires can affect the jaguar. Highlighting the importance of this feline for the Pantanal biome, ways to treat burns, the food chain and how fires can affect the species in the future.</p>

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Learning the Machine

FILM Brazil 2019
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<p>Robots and artificial intelligences have been portrayed in cinema for many decades. In this short film, we explore the relationship between the science fiction imagination in cinema and the development of technology.</p>

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O conto da Caneta (The Tale of the Pen)

FILM Brazil 2019 · 10 min
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<p>O Conto da Caneta is a narrative that explores themes of creativity, inspiration, and the writer&#39;s journey. It uses the metaphor of a pen to illustrate the transformative power of storytelling and the emotional connections between writers and their tools. The pen, symbolic of both creation and the passage of thoughts to paper, serves as a vehicle for expressing the personal struggles and triumphs involved in bringing stories to life.</p>

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Loga, Marte

FILM Brazil 2021 · 44 min
Jane de Almeida

<p>MARTE/LOGA is an essay on appropriation that reflects on humans and their projections on the red planet. The film addresses the relationship between Brazil and Mars, featuring images by artist Henrique Alvim Correia, who illustrated Wells&#39; book War of the Worlds , embodying the first Martians in an image-based way. Correia&#39;s Martians inspired Spielberg in his 2005 version of War of the Worlds. There is speculation that the Red Star is not only the origin of communist symbols around the world, but also represents the utopia of early 20th century socialism, in addition to the red fear of the Cold War. In Brazil, Mars is projected in Niemeyer&#39;s architecture, in the music of Elis Regina, Caetano Veloso and Beth Carvalho, in addition to the Martian expedition of Mato Grosso reported by the Italian-Mexican writer Narciso Genovese. From a phase of telescopic observation, when Tesla and Marconi believed they could communicate with the Martians, science advances to a robotic phase that disproves the presence of inhabitants, presenting an arid and desert planet in a 20th century ecological exploration. The film reflects on the transmitted image of Mars that is composed of mosaics similar to medieval stone tablet cartographies and the computer-generated images that are treated as a counter-field of reality. In addition to an interview with the Mars Institute/NASA, the film ends with a lesson from a Martian.</p>