An essay film that addresses trauma-related memory loss through reflections in light outside the visible spectrum, in what is felt but never seen. Shifting between planetary macroscales, physical phenomena, and individual narratives, the artist considers violence and its workings, class, and queerness not through representation, but from within. While reflecting on the effects of the invisible and the power inherent in transposing violence beyond visibility, the piece simultaneously reflects on digital archives and technologies that help shape contemporary human relationships with the past, present, and future.