In her previous works, A.Friedman explored portraits and dreamed landscapes. Untitled (Revenant) (2002) combines these explorations. Her camera follows a man as he meditates on his surroundings, years of accumulated possessions around him. A silhouette enters the space, but they never share the same space at the same time, giving meaning to the objects and environment that endure, during and after the owners and occupants.
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