Vibrant, diamond-shaped light refractions: a projector? Fluorescent tubes? It's more like a "human machine" that the filmmaker is dissecting with a fine surgical blade. And so begins an imaginary shoot in the bloodless, post-humanoid body, which travels into an abstract space that occasionally seems to become concrete on its own before dissolving again into shimmering streaks and, ultimately, into vast expanses: a cinematic wormhole leading behind the images, where the lazy human eye is and must be subject to a trick of light arrangements.