One rainy night in Weimar Berlin, Jewish American circus performer Abel Rosenberg (David Carradine) discovers that his brother Max, his trapeze-act partner, has killed himself. What follows is one of Bergman’s darkest and most fearful visions, as the drowned-in-drink Abel and Max’s ex-wife, cabaret singer Manuela (Liv Ullmann), feel increasingly unwelcome in a menacing and destitute city, eyed by the police as well as a scientist with diabolical intentions. The director’s sole big-budget Hollywood production, for which he created a surreal and atmospheric Berlin on a Munich soundstage, The Serpent’s Egg conjures a Kafkaesque nightmare about the decaying society that gave rise to the horrors of Nazism.