The materiality of reversal-film material is being portrayed. This analogue technology, with its exposed chemical skeleton is clashing in an anachronistic filmic gag with contemporary digital animation. Colour is presented not as a natural, but a highly constructed medium in the expierence of film.

El Ritual del Color is a short experimental-essay which is questioning canonized and hegemonic film-rituals used to build and test cinematic-images. (L.O.C.)