techno

In the short film trilogy techno Lydia Nsiah assembles and spiralizes historic and contemporary Science Fiction Films with an emphasis on African, Asian, Indian, Indigenous and South American film productions. Working with their imagery of the fears and chances of technology she edits the found moving images into the artistic and cinematographic sequences inner, outer and in between. In the beginning of each film piece the imagined future of the technological is countered with a short intro, showing 16mm-film recordings by the artist of present nature. The sound compositions by the artists Pisitakun, Jejuno and Billy Roisz respond to the sequences, the Sci-Fi Found Footage and the spiraling camera movement. With these dialogues between film and sound three short films are created, conversing with each other in the form of a trilogy and spiraling the technological in filmic, bodily and immersive ways.