In this endlessly diverting compendium of four short films, Pierre Etaix regards the 1960s from his askew but astute perspective. Each part is as technically impressive as it is riotous: a man attempts to read a novel about vampires beside his sleeping wife but cannot seem to separate reality from fiction; a simple afternoon at the movies becomes a consumer-culture assault; a jarringly noisy urban landscape keeps a city’s population on edge; and a day in the country means something different to a picnicking city couple, a hunter, and a farmer.