Sol sees Afrofuturism as a link between past and present, and as a rebuttal to a world in which “we are all commodities within a same architecture of violence”. Diffracting their observations, dreams, beliefs, and poetry through an ambiguous, collectively imagined figure named “Lascar” — an antiquated term referring to Southeast Asian sailors on European ships, a present pejorative for diasporic, suburban French teens, and any other number of definitions depending— Yehouessi assembles a team of incisive young collaborators whose multiplicitous views yield a fluid and aesthetically bombastic imagining of Blackness along the space-time continuum. These ideas, sounds and images may be individually familiar, but as the film obliquely states, “The difference? Is (precisely) in the plural.”