Softshoe for Bartok is most recent of my on-going play/experimenting with film structure –– relative to memory, time, perception, and in this case, travel. This project is a film/video re-imaging of my 16mm film s o f t s h o e from 1987, made via optical printer from S8 film imagery shot ten years earlier on an east west trip across Europe; using home-movies as the original source, this work is a cross/weave, or perhaps more a chance-encounter, with images from rural Romania, traces from the contemporary art exhibit documenta 6, Kassel, Germany, and a ride on the iconic escalator of the Centre Pompidou, Paris. Three decades later and with the advent of multi-track video I revisited this film, using it now as template –– for the lush, layered, and intentionally subversive collage of still and motion that is Softshoe for Bartok