In the first tape, Two Dogs and Ball, Wegman uses the area framed by the camera as his performance space, employing a single, fixed camera to record the scenes as he, Man Ray and Fay Ray, his Weimeraners, act them out. In the second tape, Used Car Salesman, Wegman's lewd stroking of his dog apes television's crass marketing strategies. The third tape, Dog Biscuit in Glass Jar, creates narrative suspense that draws the audience into the action on the screen.