IFFR regular Mike Hoolboom offers a beguiling, humorous presentation of cinematic impermanence. A naked man (Hoolboom), tilted 90 degrees by the camera angle, paints a black shape on a white wall; meanwhile, in a second, superimposed image, he re-paints it in white. Our eye and mind struggle to figure out which act came first, for all positive and negative values in the frame are completely reversible.
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