Söderquist revisits footage from the shooting of Letters From Silence, placing them in dialog with recently shot footage. Deploying split-screen for the first time, Söderquist’s camera slowly and meticulously travels through sparse interior spaces and passages, evoking both a sense of enclosure and departure. The internal tensions, motions, correspondences and temporal dynamics between the two screens unfolding is set to Baroque composer Heinrich Ignaz Franz Biber’s Mystery Sonatas, and with its final passacaglia for solo violin – while the camera travels along a corridor –is an apt and ingenious testimony of Söderquist’s continuing explorations of the cinematographic in relation to sound and space.