To create this Huot used twenty-two rolls of film shot during 1971, along with bits of other found footage and from materials photographed during the same period. Some of this material is similar to the very best minimal rolls from One Year (1970); other portions are more like the informal later rolls of the earlier film. In addition, he included a good deal of unusually personal imagery (some of it quite sexually explicit), mostly involving himself, Twyla Tharp (she and Huot were married at the time), and their son Jesse. These various kinds of imagery are integrated within a complex and highly suggestive editing strategy.