This work is a stop‑motion film adaptation (or condensation) by Kirk Winslow of the avant‑garde theatrical piece by Richard Foreman, Rhoda in Potatoland (Her Fall‑Starts). The story follows Rhoda, who drifts between waking conversation and dream‑like sequences involving surreal imagery (potatoes, shifting spaces, a throne, a shoe‑salon, woods), as the boundaries of perception and narrative unravel. The form emphasizes the experimental interplay of consciousness, visual dislocation, and theatrical structure.