Quotidiano tries to give centrality to a background that usually acts as a contour. The sonority, in this sense, is so soft as to allow the listener to annex his own everyday life or thinking. In the composition process, there was almost a reversal: it's as if I had started from the performance (moreover, from my ideal performance) taking care of what I want to emerge from the sound, and on this basis, then the further idea, to elaborate a graphic score. So a sort of stenographic track was born, this is interpretable by every combination of 3 instruments and fixed media (which everyone can make their way: ambiental and clocks recordings, inserting them according to timeline).