The film transforms the imagery of the Catalan “correfoc” (fire‑runs) tradition — where participants are chased by fire wraith‑like "devils" — into a cascade of light, color, and movement across the cityscape. The chaotic montage becomes an “audiovisual gun”, interrupting the viewer’s normative consciousness and drawing analogies between friendly‑fire, bombardment, and urban mythologies of fire. It is dedicated to survivors of wartime bombings and those awaiting enemy fire illuminating their nights, shifting from "run friendly fire" to "run! enemy fire is coming".