Jan Kulka is an experimental filmmaker from Prague working predominantly with analogue technologies. Using the ‘Archeoscope’ (in Czech, Pramítačka), a special opto-mechanical projecting apparatus he invented and constructed for live film performances, Kulka aims to find radically different ways of perceiving, understanding and working with film material, alongside new, aslant approaches to the act of projection. His latest work Paterny is created mainly with 60mm optical printing.