The camera shows single organic shapes located in a non-definable dim room. Dipped into an artificial, green light the plantfigures dissipate, deform and overlay each other in an associative picture flow. Detailed closeups reveal the objects' haptic surface and thereby inspire not only the visual sense but also the sense of touch.
Electronic noise accompanies with the permanent transformation of the room filled with light, fog and liquid. Borders between aggregate states become fluently. Percieved impressions cannot be associated with the observers own experiences. So he is questioned to rearrange and interpret the irrational sensory perception.
This experimental film poses the question for a border between natural and artificial. In awareness of tranfiguring the visuell impulse, it inspires to make the unseen accessible through other sensory perception.
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