Bruna Carvalho Almeida's debut film traces a parallel narrative: from the 1992 VHS footage, which forms a fragmentary fresco of the lives of the well-to-do young Baumanns, to a quarter of a century later, when a voice-over unravels the mystery surrounding the investigation into their disappearance. The zigzag movement inevitably refers to the comparison of Brazilian youth in two eras: that of Fernando Collor de Mello, Brazil's first president after the restoration of democracy, and that of our present.