After collecting his salary and sending it back to his home country, a house painter deliberately leaves his cell phone on a park bench. Shortly after, a young woman finds it and keeps it. The artist and the worker, sex and death, the city and nature, the distant and the near, the present and the virtual. Opposing and disparate elements, but which, united by the film's rigorous construction, end up giving meaning to that which has no meaning: life itself.
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