Grave and witty by turns, Dreams develops into a probing study of the psychology of desire. Susanne (Eva Dahlbeck), head of a modeling agency, takes her protégée Doris (Harriet Andersson) to a fashion show in Göteborg, where Susanne makes contact with a former lover, and Doris finds herself pursued by a married dignitary (Gunnar Björnstrand). With its parallel narratives and subtle compositions, this film marked a transition between Ingmar Bergman’s early explorations of affairs of the heart and the more somber and virtuosic masterpieces to come later in the fifties.