“Passing by a bedroom, at the party, I saw people heating heroin. I wanted to try it out on my body…” Accompanied by the voice-over of Jeny – a young transsexual filmed during her rehab –, the camera wanders around building 303, Bogota’s architectural icon. A chance encounter: a few years back, when the filmmaker’s father asked her to film the architecture faculty where he had taught, an accident with her 16 mm film resulted in a superimposition of the portrait of Jeny. The film is a testimony where the discreet affirmation of revolt can be heard: “neither torturer, nor victim”. Jeny (who refers to himself in the masculine gender) recounts his delinquency as being the just return for the social violence committed against him.