"In C, Too" uses the tools of our all-digital age to illuminate how close our dreams are to a common reality. Through structured visual improvisational techniques, the work explores how humanity survives due to our imagination and our desire to transcend. "In C, Too" is also an origin story, operating in renunciation to mortality, focused on life’s essentials – existence, exploration and how entropy ignites evolution. Beginning with landscapes of perception, a quartet of dancers metamorphose with alterations to the geometry of the body, flowing fluidly from surface to density to a higher state of being, surrounded by synapses firing, and concentric circles suggesting the unceasing nature of forces greater than we are. A viewer is left with an understanding that chaos and order coexist, they are not opposites but two views of the energy of the universe. (The prequel to "In C, Too" cerated in 1983 is also streaming on the Slamdance Channel, "Act III")