Drawing from an extensive archive of over 3,000 narrative works HOLOFICTION critically examines how Holocaust imagery has been codified and reproduced in cinema across decades. The film exposes recurring visual motifs and narrative patterns that have become iconic in the portrayal of the Holocaust. Inspired by Claude Lanzmann’s skepticism toward visual representations of historical trauma, the film questions the possibility and implications of depicting such an atrocity in fictional cinema. Through its essayistic approach, HOLOFICTION invites audiences to reflect on the ethics and responsibility of cinematic storytelling, urging a deeper understanding of how these representations shape collective memory and historical perception.