Rue Bainbridge improvised Here Come The Worm Holes on 7 July 2019 in preparation for a performance at The Hepworth Wakefield Museum, presented by The Art House UK for Index Festival. For us—straitjacketed in the red tape of the Brexit-ed visa process—our rehearsals were colored by anxiety and frustration. They wanted arms and legs. The title is a nod to Eno; the edit follows CAN’s strategy of cutting extended jams into discrete gems.
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