"This concludes the series of continuous shot films, but now with sound. The sound is produced by the car and the people inside it. The car window is both a screen and a plane that separates the inner world from the outside. Shelley, the performer, generates the primary sound when he breaks through that plane. The film is popular because of the vibrant energy of the performer, the music, and the autumn landscape, but it is also complex. As with the previous films, I myself am passive. The driver and the car and Shelley are the creative forces. He is the first of many avatars, doubles of me, that appear in many of my films and that became one thread of my later attraction to ceremonial possession." - Larry Gottheim