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Garden Work imbues the structural cues of a botanic garden and deploys the concept of divine proportion through the form of its making. Compositional prompts are derived from phi, while shot duration adheres strictly to numbers from Fibonacci. In this space, and in the realm of untouched nature, order thrives with physical characteristics that share the same structural roots. Despite the endeavour to classify and to control, the work posits that everything, in time, moves toward entropy and dissolution.
