Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history.

In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’.

Through a collaborative practice of reimagination, an impressive lineup of trans stars take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare. 

Joynt’s signature form-rupturing style radically reenvisions the imposition of the frame on the cultural memory of transness through his brilliantly crafted, communally-driven excavation. This reclamation tears away with remarkable precision the myth of isolation as the mode of existence of transgender history-makers, breathing new life into a lineage of collaborators and conspirators who have been forgotten for far too long.