Fractures chimiques blends Charles-André Coderre’s real-time 16mm projections with Mathieu Arsenault’s modular synthesizers. Light signals are harnessed directly on screen and transmitted back to synthesizers in order to generate a soundscape drawn from those very images, creating a sort of unprecedented dance between the two media. This novel interaction between image and sound makes for a unique sensory experience, reshaping photograms into musical notes, and vice versa.
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