In Confessions on a Transmission Line, we wanted to explore the audiovisual process of feedback as a spiritual practice in relation to Camp and queer potentiality. Using real-time signal processing tools and improvisational strategies, we set up a performance space where our persona interacts with a discarded megaphone. By re-using this object as a tool and instrument to both project and receive transmission frequencies, we are searching for a way to communicate with our queer ancestors and those yet to be born.