Rail tracks. Motion. Rhythm. Experimental filmmaker Henry Hills (The Tree, 2019, Arcana, 2011) takes us on a multidirectional train journey. Acceleration. Geometry. Velocity. A hypnotic visual composition and a splendid musical collage which, not by chance, visits Bérlioz, Duke Ellington, Kraftwerk. A breathtaking sensory trip that transports us through the cinematic mystique of the train.