The Critical Dictionary of Southeast Asia (2017-present) by internationally acclaimed artist Ho Tzu Nyen (b. 1976, Singapore) is part of an ongoing project that grows, generates and provides critical insight into the pluralistic definitions of the territories under the term “Southeast Asia.” Born out of recognition for how sweeping the term “Southeast Asia” is, it considers what makes up an area not unified by language, religion or political power.
What makes Southeast Asia a unified region when it has never been bound by a single religion, language or political system?
Featuring an algorithmically sequenced montage relating to the histories of Southeast Asia, Ho Tzu Nyen’s πΆπ·πππΈπ΄ (named so after πβπ πΆπππ‘ππππ π·πππ‘ππππππ¦ ππ πππ’π‘βπππ π‘ π΄π ππ), generates a randomised iteration each time, creating infinite possibilities and perspectives that reflect the fluid complexity of a region so diverse and dynamic for any single narrative to contain.