BEFORE THE BLUE creates a sequence of subtly narrative and radically sensorial scenes, a stream of images/thoughts about existence and violence, the passage of time, death technologies, the power of animal and mineral bodies, and art as a possible trace left by humanity when it ceases to exist after surrendering to its own omnipotence. A 21st century nightclub, the nuclear war and the Stone Age. Everything at once. Shattered chronologies among dance movements, static images of the power-thirsty science, and a reunion with nature, an escape from the idea of being human. The snake bites its own tail.